Al-Fārābī’s Conception of Music Theory as the Universal Science of Melody
Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom. In this, it is akin to logic – the universal science of all things...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2023
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| Dans: |
Oriens
Année: 2023, Volume: 51, Numéro: 1/2, Pages: 104-126 |
| Sujets non-standardisés: | B
Al-Fārābī
B Ptolemy B Grammar B Logic B Music Theory |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom. In this, it is akin to logic – the universal science of all things thinkable, which does not reduce to the grammar of any given natural language. |
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| ISSN: | 1877-8372 |
| Contient: | Enthalten in: Oriens
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| Persistent identifiers: | DOI: 10.1163/18778372-12340023 |