Thomas Eakins, The Crucifixion
In his 1880 The Crucifixion, Thomas Eakins, a reputed agnostic, crafted a realist interpretation of one of the central devotional subjects in Christian art, challenging the traditional iconography of the crucifixion by eliminating all signs of divine presence.
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Yale University
2013
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| Dans: |
Conversations
Année: 2014 |
| Sujets non-standardisés: | B
Thomas Eakins
B Realism B Crucifixion B Painting, Christ B Agnosticism |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | In his 1880 The Crucifixion, Thomas Eakins, a reputed agnostic, crafted a realist interpretation of one of the central devotional subjects in Christian art, challenging the traditional iconography of the crucifixion by eliminating all signs of divine presence. |
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| ISSN: | 2475-241X |
| Contient: | Enthalten in: Conversations
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| Persistent identifiers: | DOI: 10.22332/con.obj.2014.46 |