Thomas Eakins, The Crucifixion
In his 1880 The Crucifixion, Thomas Eakins, a reputed agnostic, crafted a realist interpretation of one of the central devotional subjects in Christian art, challenging the traditional iconography of the crucifixion by eliminating all signs of divine presence.
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Yale University
2013
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| In: |
Conversations
Year: 2014 |
| Further subjects: | B
Thomas Eakins
B Realism B Crucifixion B Painting, Christ B Agnosticism |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | In his 1880 The Crucifixion, Thomas Eakins, a reputed agnostic, crafted a realist interpretation of one of the central devotional subjects in Christian art, challenging the traditional iconography of the crucifixion by eliminating all signs of divine presence. |
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| ISSN: | 2475-241X |
| Contains: | Enthalten in: Conversations
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| Persistent identifiers: | DOI: 10.22332/con.obj.2014.46 |