Ritual, Ritualization, and Religion in the Work of Kazakhstani Artist Anvar Musrepov
This article contributes to the study of ritual in art, which is an unconventional setting for ritual studies. It concerns ritual, ritualization, and religion in the oeuvre of the up-and-coming Kazakhstani artist Anvar Musrepov. We discuss the prayer ritual, the process of ritual erasure (by coverin...
Auteurs: | ; |
---|---|
Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
MDPI
2021
|
Dans: |
Religions
Année: 2021, Volume: 12, Numéro: 10 |
Sujets non-standardisés: | B
Espèce
B cyberritual B consumption ritual B technology of enchantment B ritual erasure B Kazakhstan B prayer ritual B Anvar Musrepov |
Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Résumé: | This article contributes to the study of ritual in art, which is an unconventional setting for ritual studies. It concerns ritual, ritualization, and religion in the oeuvre of the up-and-coming Kazakhstani artist Anvar Musrepov. We discuss the prayer ritual, the process of ritual erasure (by covering in black), consumption rituals, and a cleansing ritual with a drone and ritualization with computer-generated imagery. Musrepov seeks to reimagine Kazakhstani national identity. His art, we argue, draws on what Alfred Gell has called the technology of enchantment. |
---|---|
ISSN: | 2077-1444 |
Contient: | Enthalten in: Religions
|
Persistent identifiers: | DOI: 10.3390/rel12100892 |