Sakralumas jo techninio reprodukuojamumo epochoje = Sacrum in the Age of its Mechanical Reproduction
In his essay "The Work of Art in the Age of Mechanical Reproduction" Walter Benjamin discusses a loss of the aura through the rise of photography and cinema. The notion of aura for Benjamin represents the originality and authenticity of a work of art that has not been reproduced. But at th...
| Autres titres: | Sacrum in the Age of its Mechanical Reproduction |
|---|---|
| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Lituanien |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Vilniaus Universiteto Leidykla
2010
|
| Dans: |
Religija ir kultūra
Année: 2010, Volume: 7, Numéro: 1/2, Pages: 83-90 |
| Sujets non-standardisés: | B
desakralizacija
B medijos B Media B Walter Benjamin B Walteris Benjaminas B desacralisation |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | In his essay "The Work of Art in the Age of Mechanical Reproduction" Walter Benjamin discusses a loss of the aura through the rise of photography and cinema. The notion of aura for Benjamin represents the originality and authenticity of a work of art that has not been reproduced. But at the same time it represents connection of the realm of art to the experience of the sacrum. The article deals with the correlation between the loss of aura and the desacralisation of the contemporary world. |
|---|---|
| ISSN: | 1822-4539 |
| Contient: | Enthalten in: Religija ir kultūra
|
| Persistent identifiers: | DOI: 10.15388/Relig.2010.1.2763 |