Framing Islam at the World of Islam Festival, London, 1976
This article focuses on a neglected historical example where contemporary museological framings of Islam in Europe were established—the World of Islam Festival in London, 1976. The material consulted consists of the publications and materials from the Festival Trust, media coverage and academic disc...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2018
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| Dans: |
Journal of Muslims in Europe
Année: 2018, Volume: 7, Numéro: 1, Pages: 73-93 |
| Sujets non-standardisés: | B
World of Islam Festival
museums
Islamic art
cultural heritage
traditionalism
1970s
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| Accès en ligne: |
Accès probablement gratuit Volltext (Verlag) |
| Résumé: | This article focuses on a neglected historical example where contemporary museological framings of Islam in Europe were established—the World of Islam Festival in London, 1976. The material consulted consists of the publications and materials from the Festival Trust, media coverage and academic discussions of the Festival. These are analyzed from a frame theory perspective. The Festival is situated in a very specific historical period after the advent of Gulf oil money, but before the resurgence of Islam and the Iranian revolution. It was framed by the traditionalist perspective of Frithjof Schuon and Seyyed Hossein Nasr and in large part funded by the United Arab Emirates. It is argued that what might at first appear to be a festival celebrating the presence of Muslims in modern Britain acted to stabilize a dichotomy between Islam and modernity that is still dominant in museological framings of Islam in Europe. |
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| ISSN: | 2211-7954 |
| Contient: | In: Journal of Muslims in Europe
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| Persistent identifiers: | DOI: 10.1163/22117954-12341365 |