Mannerheim in the Twenty-First Century: Finnish National Symbol, Aesthetics, and Media Strategies

This article analyses media discussions around three film projects of the 2000s and 2010s, interpreting the figure of field marshal C. G. E. Mannerheim from the point of view of Bourdieuan social aesthetics and civil religion. Mannerheim is a central part of Finnish civil religious concentration of...

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Bibliographic Details
Main Author: Kyyrö, Jere (Author)
Format: Electronic Article
Language:English
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Published: Brill 2017
In: Journal of religion in Europe
Year: 2017, Volume: 10, Issue: 1/2, Pages: 44-70
Standardized Subjects / Keyword chains:B Finnland / 民族意识 / Mannerheim, Gustaf 1867-1951 / 公民宗教 / 仪式
RelBib Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
KBE Northern Europe; Scandinavia
ZC Politics in general
Further subjects:B Carl Gustaf Emil Mannerheim civil religion mediatisation field theory aesthetics strategies
Online Access: Volltext (Verlag)
Description
Summary:This article analyses media discussions around three film projects of the 2000s and 2010s, interpreting the figure of field marshal C. G. E. Mannerheim from the point of view of Bourdieuan social aesthetics and civil religion. Mannerheim is a central part of Finnish civil religious concentration of symbols—that is symbols associated to the Finnish nation. This article analyses different actors’ strategies of classification, legitimisation, de-legitimisation, and evaluation in relation to the three film projects. These socio-aesthetic strategies reflect the positions and competitive environment of the Finnish media field. Civil religious concentration of symbols and their connected aesthetic practices work as resources for media power and for classificatory power, and media competition creates a new kind of visibility for these civil religious symbols.
ISSN:1874-8929
Contains:In: Journal of religion in Europe
Persistent identifiers:DOI: 10.1163/18748929-01002003