The world's oldest church: Bible, art, and ritual at Dura-Europos, Syria
Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions o...
Auteur principal: | |
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Type de support: | Imprimé Livre |
Langue: | Anglais |
Service de livraison Subito: | Commander maintenant. |
Vérifier la disponibilité: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
New Haven London
Yale University Press
[2016]
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Dans: | Année: 2016 |
Recensions: | [Rezension von: Peppard, Michael, The world's oldest church] (2019) (DeMaris, Richard E.)
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Collection/Revue: | Synkrisis
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Sujets / Chaînes de mots-clés standardisés: | B
Église domestique (Dura-Europos)
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Sujets non-standardisés: | B
Art, Early Christian (Syria) (Dura-Europos (Extinct city))
B Christian art and symbolism (Syria) (Dura-Europos (Extinct city)) B Dura-Europos (Extinct city) |
Accès en ligne: |
Autorenbiografie (Verlag) Inhaltsverzeichnis (Verlag) Verlagsangaben (Verlag) |
Édition parallèle: | Électronique
Électronique |
Résumé: | Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church's wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church's wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual |
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Description: | Literaturverzeichnis Seite 263-283 |
ISBN: | 0300213999 |