Strumenti liturgici, segni e simboli nell'iconografia giudaica tardoantica: Da Dura Europos a Roma

This contribution begins with the historical analysis of Dura Europos city, for a long time disputed between Parthians and Romans, and goes on with the analysis of its archaeological remains. In addition to the famous domus ecclesiae, particular attention is dedicated here to the Synagogue, whose ic...

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Bibliographic Details
Published in:Studi e materiali di storia delle religioni
Main Author: Bisconti, Fabrizio 1955-2022 (Author)
Format: Electronic Article
Language:Italian
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Published: Morcelliana 2021
In: Studi e materiali di storia delle religioni
Year: 2021, Volume: 87, Issue: 1, Pages: 188-205
Standardized Subjects / Keyword chains:B House church (Dura-Europos) / Dura-Europos / Synagogue / Fresco painting / Interreligiosity / Ipogeo di via Dino Compagni (Vatican Palace)
RelBib Classification:AX Inter-religious relations
BE Greco-Roman religions
HD Early Judaism
KAB Church history 30-500; early Christianity
Further subjects:B Parti
B Parthians
B Bible. Old Testament
B Religious Symbols
B Dura Europos
B Romans
B Romani language
B ipogeo di Via Dino Compagni
B Dura-Europos (Extinct city)
B hypogeum of Via Dino Compagni
Description
Summary:This contribution begins with the historical analysis of Dura Europos city, for a long time disputed between Parthians and Romans, and goes on with the analysis of its archaeological remains. In addition to the famous domus ecclesiae, particular attention is dedicated here to the Synagogue, whose iconographic program is described, mostly depicting scenes from the Old Testament. There are several similarities between frescoes in Dura Europos synagogue and those in the Roman hypogeum of Via Dino Compagni, where pagan, Jewish and Christian imagery in many cases weave together. (English)
ISSN:2611-8742
Contains:Enthalten in: Studi e materiali di storia delle religioni