The world's oldest church: Bible, art, and ritual at Dura-Europos, Syria

Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions o...

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Bibliographische Detailangaben
1. VerfasserIn: Peppard, Michael (VerfasserIn)
Medienart: Druck Buch
Sprache:Englisch
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Verfügbarkeit prüfen: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: New Haven London Yale University Press [2016]
In:Jahr: 2016
Rezensionen:[Rezension von: Peppard, Michael, The world's oldest church] (2019) (DeMaris, Richard E.)
Schriftenreihe/Zeitschrift:Synkrisis
normierte Schlagwort(-folgen):B Hauskirche (Dura-Europos)
weitere Schlagwörter:B Art, Early Christian (Syria) (Dura-Europos (Extinct city))
B Christian art and symbolism (Syria) (Dura-Europos (Extinct city))
B Dura-Europos (Extinct city)
Online Zugang: Autorenbiografie (Verlag)
Inhaltsverzeichnis (Verlag)
Verlagsangaben (Verlag)
Parallele Ausgabe:Elektronisch
Elektronisch
Beschreibung
Zusammenfassung:Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church's wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual
Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church's wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual
Beschreibung:Literaturverzeichnis Seite 263-283
ISBN:0300213999