The lives of Chinese objects: Buddhism, imperialism and display

This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo - China's most important pilgrimage island - to their seizure by a British soldier in the First Opium War in the early 1840s, and on...

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Détails bibliographiques
Auteur principal: Tythacott, Louise (Auteur)
Type de support: Électronique Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: New York Berghahn Books c2011
Dans:Année: 2011
Collection/Revue:Museums and collections v. 3
Sujets non-standardisés:B Ceremonial objects ; China ; Putuo Shan Island ; History
B Putuo Shan Island (China) ; Antiquities
B Bronze sculpture (China) (Putuo Shan Island) History
B Buddhist sculpture (China) (Putuo Shan Island) History
B Putuo Shan Island (China) Antiquities
B Ceremonial objects (China) (Putuo Shan Island) History
B Museum exhibits ; England ; Liverpool
B Cultural property Repatriation (China)
B Museum exhibits (England) (Liverpool)
B Buddhist sculpture ; China ; Putuo Shan Island ; History
B Ethnological museums and collections (England) (Liverpool)
B Bronze sculpture ; China ; Putuo Shan Island ; History
B Electronic books
B Ethnological museums and collections ; England ; Liverpool
B Cultural property ; Repatriation ; China
Accès en ligne: Volltext (Aggregator)
Volltext (Verlag)
Volltext (Verlag)
Édition parallèle:Print version: The Lives of Chinese Objects : Buddhism, Imperialism and Display:
Description
Résumé:This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo - China's most important pilgrimage island - to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers' and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the 'Mongolian race' and, later, as examples of Oriental art. The statues escaped the bom
Description:Includes bibliographical references and index
ISBN:085745238X