“Vastness and Profundity”: Sublimity and Religion in Post-1960 Science Fiction

Scholars have often struggled to define the boundaries between sublime and religious experiences, but research tends to agree that sublimity is rational while religious experience is non-rational. However, this view receives a challenge from key texts in science fiction. In the texts I examine, cont...

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Auteur principal: Garton-Gundling, Kyle (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Brill 2024
Dans: Religion and the arts
Année: 2024, Volume: 28, Numéro: 1/2, Pages: 196-219
Sujets non-standardisés:B Arthur C. Clarke
B Sublime
B Religion
B Aesthetics
B Octavia E. Butler
B Liu Cixin
B Robert A. Heinlein
B Science Fiction
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Résumé:Scholars have often struggled to define the boundaries between sublime and religious experiences, but research tends to agree that sublimity is rational while religious experience is non-rational. However, this view receives a challenge from key texts in science fiction. In the texts I examine, contrary to prevailing views, sublimity turns mystical, while new religions become rational. Furthermore, religion and sublimity relate uneasily, as opposite poles that are distinct from but necessary to one another, with different texts emphasizing one while marginalizing, but not erasing, the other. I explore four authors, two of whom—Arthur C. Clarke and Liu Cixin—emphasize sublimity while relegating religion, while the other two—Robert A. Heinlein and Octavia E. Butler—focus on a fictional religion while subordinating the sublime. Taken together, these texts reveal the ambivalent interdependence of rational and non-rational states of mind in ways that could promote better understanding between religious and non-religious perspectives.
ISSN:1568-5292
Contient:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02801007