The Pop Theology of Videogames: Producing and Playing with Religion
Young people in the West are more likely to encounter religion in videogames than in places of worship like churches, mosques or temples. Lars de Wildt interviews developers and players of games such as Assassin’s Creed to find out how and why the Pop Theology of Videogames is so appealing to modern...
Main Author: | |
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Format: | Electronic Book |
Language: | English |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Amsterdam
Amsterdam University Press
2023
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In: | Year: 2023 |
Series/Journal: | Games and Play
8 |
Further subjects: | B
Videogames, religion, production studies, consumption studies, qualitative sociology
B NON-CLASSIFIABLE B Video Games Religious aspects |
Online Access: |
Cover (lizenzpflichtig) Volltext (doi) Volltext (kostenfrei) Volltext (kostenfrei) |
Parallel Edition: | Erscheint auch als: 9789463729864 |
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245 | 1 | 4 | |a The Pop Theology of Videogames |b Producing and Playing with Religion |c Lars Wildt |
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505 | 8 | 0 | |t Frontmatter |
505 | 8 | 0 | |t Table of Contents |
505 | 8 | 0 | |t List of Figures and Tables |
505 | 8 | 0 | |t Acknowledgements |
505 | 8 | 0 | |t 1. Introduction |
505 | 8 | 0 | |t Part I Producing Religion: “Which Choices Lead Game Makers to Use Religion in their Videogames?” |
505 | 8 | 0 | |t 2. Making Religion at Ubisoft |
505 | 8 | 0 | |t 3. Indie-pendent: The Art-house Gods of Indie Games |
505 | 8 | 0 | |t Part II Consuming Religion: “How do Players Make Sense of and Relate to Religion in Videogames?” |
505 | 8 | 0 | |t 4. Public Religion on Videogame Forums |
505 | 8 | 0 | |t 5. Single-player Religion |
505 | 8 | 0 | |t Part III Conclusion |
505 | 8 | 0 | |t 6. Pop Theology |
505 | 8 | 0 | |t Bibliography |
505 | 8 | 0 | |t Index |
506 | 0 | |a Open Access |e Controlled Vocabulary for Access Rights |u https://purl.org/coar/access_right/c_abf2 |f unrestricted online access |2 star | |
520 | |a Young people in the West are more likely to encounter religion in videogames than in places of worship like churches, mosques or temples. Lars de Wildt interviews developers and players of games such as Assassin’s Creed to find out how and why the Pop Theology of Videogames is so appealing to modern audiences. Based on extensive fieldwork, this book argues that developers of videogames and their players engage in a ‘Pop Theology’ through which laymen reconsider traditional questions of religion by playing with them. Games allow us to play with religious questions and identities in the same way that children play at being a soldier, or choose to ‘play house.’ This requires a radical rethinking of religious questions as no longer just questions of belief or disbelief; but as truths to be tried on, compared, and discarded at will | ||
540 | |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license |u https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access | ||
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