Giorgio Vasari’s Madonna of the Rosary: A Rose Garden of Blessings
In 1569, Giorgio Vasari (1511-1574) completed a painting of the Madonna of the Rosary for the private chapel of the Capponi family in the church of Santa Maria Novella in Florence. In his Ricordanze (Book of Records), Vasari explained the commission as well as documenting the assistance of his Flore...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
David Publishing Company
2022
|
| Dans: |
Cultural and religious studies
Année: 2022, Volume: 10, Numéro: 1, Pages: 1-52 |
| Sujets non-standardisés: | B
CosimoDaddi
B Christian symbolism B Tridentine Reform B virga B Carlo Borromeo B Mannerism B Santa Maria Novella B Capponifamily B Margarita Barza B Bartolomeo Scalvo B mysteries of the Rosary B Giorgio Vasari B Jacopo Zucchi B Lorenzo Lotto |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | In 1569, Giorgio Vasari (1511-1574) completed a painting of the Madonna of the Rosary for the private chapel of the Capponi family in the church of Santa Maria Novella in Florence. In his Ricordanze (Book of Records), Vasari explained the commission as well as documenting the assistance of his Florentine pupil, Jacopo Zucchi (1541-1590), in the completion of this painting. This essay discusses Vasari’s symbolism of the rosary as a reflection of the Tridentine Reform in Florence as well as a visual interpretation of Italian Mannerist painters on this devotional subject. |
|---|---|
| ISSN: | 2328-2177 |
| Contient: | Enthalten in: Cultural and religious studies
|
| Persistent identifiers: | DOI: 10.17265/2328-2177/2022.01.001 |