Transformations of the Orientalist Agenda in Israeli Modernism (1920s-1970s)
The purpose of the article is to review the dynamics of the Orientalist agenda in Israeli modernism from the 1920s to the 1970s as the establishment of sign-object relations (semiosis) in the national art and music. The article considers, as a key issue, the phenomenon, which was not explicitly voic...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
David Publishing Company
2019
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Dans: |
Cultural and religious studies
Année: 2019, Volume: 7, Numéro: 5, Pages: 251-259 |
Sujets non-standardisés: | B
Israeli art
B Israeli music B Orientalism B Modernism B Semiosis |
Accès en ligne: |
Accès probablement gratuit Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |