Richard Kearney’s Sacramental Play between Immanence and Transcendence
This article will discuss anatheist imagination in Kearney’s work. With the help of a poem by Sharon Olds, it will make a case for the sacramental – or anatheist – play between immanence and transcendence as a crucial motif to interpreting Kearney’s philosophy. Firstly, illustrating that the sacrame...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Brill
2023
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| In: |
Journal for continental philosophy of religion
Year: 2023, Volume: 5, Issue: 1, Pages: 62-71 |
| Further subjects: | B
Richard Kearney
B Transcendence B sacramental imagination B Hermeneutics B Immanence B Anatheism |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This article will discuss anatheist imagination in Kearney’s work. With the help of a poem by Sharon Olds, it will make a case for the sacramental – or anatheist – play between immanence and transcendence as a crucial motif to interpreting Kearney’s philosophy. Firstly, illustrating that the sacramental opens the door to a more embodied and carnal understanding of Kearney’s hermeneutics. Secondly, drawing on insights from my research, I’ll argue in a short history of anatheist imagination that there’s a continuity between the sacramental and Kearney’s early work on the hermeneutics of the possible. Finally, the article concludes with some considerations on the philosophical and/or theological character of Kearney’s emphasis on the sacramental imagination as a hermeneutic stance. | ||
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