Richard Kearney’s Sacramental Play between Immanence and Transcendence

This article will discuss anatheist imagination in Kearney’s work. With the help of a poem by Sharon Olds, it will make a case for the sacramental – or anatheist – play between immanence and transcendence as a crucial motif to interpreting Kearney’s philosophy. Firstly, illustrating that the sacrame...

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Auteur principal: Damen, Enrieke (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Brill 2023
Dans: Journal for continental philosophy of religion
Année: 2023, Volume: 5, Numéro: 1, Pages: 62-71
Sujets non-standardisés:B Richard Kearney
B Transcendence
B sacramental imagination
B Hermeneutics
B Immanence
B Anatheism
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Résumé:This article will discuss anatheist imagination in Kearney’s work. With the help of a poem by Sharon Olds, it will make a case for the sacramental – or anatheist – play between immanence and transcendence as a crucial motif to interpreting Kearney’s philosophy. Firstly, illustrating that the sacramental opens the door to a more embodied and carnal understanding of Kearney’s hermeneutics. Secondly, drawing on insights from my research, I’ll argue in a short history of anatheist imagination that there’s a continuity between the sacramental and Kearney’s early work on the hermeneutics of the possible. Finally, the article concludes with some considerations on the philosophical and/or theological character of Kearney’s emphasis on the sacramental imagination as a hermeneutic stance.
ISSN:2588-9613
Référence:Kommentar in "After Thoughts on After Gods: A Response to Hendel, Damen, Putt, and Hederman (2023)"
Contient:Enthalten in: Journal for continental philosophy of religion
Persistent identifiers:DOI: 10.1163/25889613-bja10045