Frida Kahlo: espiritualidade, arte e coragem de ser

This article takes as its starting point to necessary to discuss the relationship between theology and art. Art as a symbolic form expresses the artist's deep existential meanings, giving us access to a new dimension of his being: the spiritual. We understand the spiritual dimension as that whi...

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Bibliographic Details
Main Author: Martins, Maria Angélica Farias Jurity (Author)
Format: Electronic Article
Language:Portuguese
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Published: Instituto de Ciências Humanas, Universidade Federal de Juiz de Fora 2022
In: Sacrilegens
Year: 2022, Volume: 19, Issue: 1
Further subjects:B Spirituality
B Frida Kahlo
B courage to be
B Species
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Summary:This article takes as its starting point to necessary to discuss the relationship between theology and art. Art as a symbolic form expresses the artist's deep existential meanings, giving us access to a new dimension of his being: the spiritual. We understand the spiritual dimension as that which gives movement and direction to our achievements in life. It is in this sense that, from the encounter with Frida Kahlo's art, this proposal was born to point out the signs of a transcendent reality in her self-portrait "Colar com Espinhos e Beija-flor", from 1940. Within a phenomenological hermeneutic approach, we chose by the bibliographical research, choosing as a theoretical reference the theology of culture of Paul Tillich.
ISSN:2237-6151
Contains:Enthalten in: Sacrilegens
Persistent identifiers:DOI: 10.34019/2237-6151.2022.v19.37151