Putting the Buddha to Work: Śākyamuni in the Service of Tibetan Monastic Identity
This essay forms part of a larger project to re-foreground the place of Śākyamuni in Tibet by exploring how images and texts related to the Buddha served as a primary organizing principle for the monastery Rtag brtan Phun tshogs gling, religious seat of the great seventeenth-century polymath Tāranāt...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Peeters Publishers
2017
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| In: |
Journal of the International Association of Buddhist Studies
Year: 2017, Volume: 40, Pages: 111-156 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | This essay forms part of a larger project to re-foreground the place of Śākyamuni in Tibet by exploring how images and texts related to the Buddha served as a primary organizing principle for the monastery Rtag brtan Phun tshogs gling, religious seat of the great seventeenth-century polymath Tāranātha Kun dga’ snying po (1575-1634) and his Jo nang tradition in the Tibetan region of Gtsang. It suggests that Phun tshogs gling’s central icon - a Śākyamuni statue of miraculous origin referred to as the Jo bo Phyogs las rnam rgyal, 'Lord All Victorious' - not only acted as an object of veneration, but also served Tāranātha more broadly in the promotion and maintenance of his monastery. It did so in several ways. First, as a representation of the Buddha of our present age, the image formed the core of Phun tshogs gling’s thematic focus on Śākyamuni, a tradition I refer to as the ‘Buddha Program.’ Second, and perhaps more importantly, from its position at the monastery’s ritual and architectural center, the revered statue served as a source of elevated prestige for Tāranātha, for his seat at Phun tshogs gling, and for his patrons in western Tibet during a period of political contestation with the Fifth Dalai Lama and the growing Dge lugs hegemony in Lhasa. Tāranātha’s Jo bo statue of Śākyamuni Buddha encapsulated his vision of what a Buddhist monastery should be and played an instrumental role in fashioning a singular institutional identity. |
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| ISSN: | 2507-0347 |
| Contains: | Enthalten in: International Association of Buddhist Studies, Journal of the International Association of Buddhist Studies
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| Persistent identifiers: | DOI: 10.2143/JIABS.40.0.3269006 |