NAVIGATING THE PLURALITY OF GENDER IN CHITRANGADA : Identity, Alterity and Beyond
The hierarchical binary of the masculine ‘self’ and the feminine ‘other’ establishes polarised discrete categories defining a rigid sex-gender system. This paper explores how Rabindranath Tagore’s adaptation of The Mahabharata’s Chitrangada in his dance drama1 transformed the character into a warrio...
| Auteurs: | ; |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Dharmaram College
2018
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| Dans: |
Journal of Dharma
Année: 2018, Volume: 43, Numéro: 1, Pages: 47-66 |
| Sujets non-standardisés: | B
Masculinity
B gender-identity B Chitrangada B Femininity B Plurality B Adaptation |
| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | The hierarchical binary of the masculine ‘self’ and the feminine ‘other’ establishes polarised discrete categories defining a rigid sex-gender system. This paper explores how Rabindranath Tagore’s adaptation of The Mahabharata’s Chitrangada in his dance drama1 transformed the character into a warrior princess who dismantles the hierarchical binary of the masculine self and the feminine other by questioning and redefining dominant gender norms. The paper examines how Rituparno Ghosh’s adaptation Chitrangada - the Crowning Wish2 reconceptualizing Chitrangada as an androgynous gender nonconforming dancer who undergoes sex reassignment surgery dismantles the binary sex-gender system suggesting a plurality of sex and gender. The paper interrogates how acceptance and celebration of plurality leads to a more progressive society enabling individuals to achieve their potential. |
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| ISSN: | 0253-7222 |
| Contient: | Enthalten in: Journal of Dharma
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