'Ka asi kasya asi, kalyāṇi?' The Ambiguity of the yakṣas in the Araṇya Parva of the Mahābhārata

Supernatural entities are often described as ambiguous, but ambiguity is underdetermined and undefined. This article has a twofold goal: first of all, it constructs an ideal-type model for identifying and specifying ambiguity in supernatural beings; secondly, it examines the ambiguity of yakṣas in t...

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Détails bibliographiques
Auteur principal: Sterken, Arjan (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: MDPI 2023
Dans: Religions
Année: 2023, Volume: 14, Numéro: 1
Sujets non-standardisés:B Monster Theory
B Mahābhārata
B yakṣas
B Folklore
B Mythology
B Hinduism
B Ambiguity
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Description
Résumé:Supernatural entities are often described as ambiguous, but ambiguity is underdetermined and undefined. This article has a twofold goal: first of all, it constructs an ideal-type model for identifying and specifying ambiguity in supernatural beings; secondly, it examines the ambiguity of yakṣas in the Araṇya Parva of the Mahābhārata. This model for determining supernatural ambiguity utilizes five markers, which appear in either a positive or negative aspect: fulfilling or denying needs and desires; protecting or attacking humans; belonging to the same order as humansor rejecting this order; beautiful or hideous appearance; and living close by or far away from human communities. Four narratives are examined: the story of Nala and Damayantī, the First and Second War of the Yakṣas, and the story of the Drillling Woods. In all stories, each of the five markers are utilized to describe the yakṣas’ ambiguity. However, one should distinguish between ambiguity proper (when conflicting markers are present at the same time) verus ambiguity caused by the shifting of markers during a narrative.
ISSN:2077-1444
Contient:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel14010037