The Great, Gray City of Light
This essay analyzes one of James Baldwin's least commented-upon essays, "Equal in Paris," through the lens of current debates about transatlantic differences regarding race, equality, and citizenship. In his essay, Baldwin narrates how he was imprisoned in Paris for several days a yea...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Cambridge Univ. Press
2022
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| Dans: |
Journal of law and religion
Année: 2022, Volume: 37, Numéro: 2, Pages: 250-258 |
| Sujets non-standardisés: | B
Prison
B American Black writers B colorblindness B Race B Delusion B Equality B Paris |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | This essay analyzes one of James Baldwin's least commented-upon essays, "Equal in Paris," through the lens of current debates about transatlantic differences regarding race, equality, and citizenship. In his essay, Baldwin narrates how he was imprisoned in Paris for several days a year after his arrival in France. Baldwin constructs his essay not as a political manifesto about race, citizenship, and equality. Rather, through a powerful and cinematographic description, he leads the reader to share the narrator's distressing experience of disjunction and terror he had while in prison. This literary choice can be understood in the context of Baldwin's rejection of theologies of damnation and redemption that, according to him, motivate protest writings. |
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| ISSN: | 2163-3088 |
| Contient: | Enthalten in: Journal of law and religion
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| Persistent identifiers: | DOI: 10.1017/jlr.2022.25 |