Models of a Bygone World: Popular Nineteenth-Century Nativity Scenes as a Representation of Chilean Society
Embracing the belief that the humblest of individuals participated in Jesus’s birth with their presence and their gifts alongside the wisest, Christians of every era have wished to display their own participation and contribution to this foundational Christian event. This article describes the ways...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Yale University
2022
|
| Dans: |
MAVCOR journal
Année: 2022, Volume: 6, Numéro: 1 |
| Sujets non-standardisés: | B
Creche
B Clay B Rural life B Sculpture B Nativity B Catholicism B Chile |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | Embracing the belief that the humblest of individuals participated in Jesus’s birth with their presence and their gifts alongside the wisest, Christians of every era have wished to display their own participation and contribution to this foundational Christian event. This article describes the ways in which a traditional, rural-inspired society like that of Santiago, Chile at the end of the nineteenth and the beginning of the twentieth centuries expressed itself through its nativity scenes. |
|---|---|
| ISSN: | 2475-2428 |
| Contient: | Enthalten in: MAVCOR journal
|
| Persistent identifiers: | DOI: 10.22332/mav.ess.2022.1 |