Fernando Brito and Héctor Parra, Judío
In Judío, photographer Fernando Brito attempts to find an ad-hoc visual representation for the Yoremem or Mayo Indians in his native state of Sinaloa, Mexico. This portrait pays tribute to the foundational value of the community’s ritual, which combines indigenous cosmology with seventeenth-century...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Yale University
2020
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Dans: |
MAVCOR journal
Année: 2020, Volume: 4, Numéro: 1 |
Sujets non-standardisés: | B
Photography
B Judíos B Rituel B Indigenous B Documentary Photography B Mexico B Catholicism |
Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Résumé: | In Judío, photographer Fernando Brito attempts to find an ad-hoc visual representation for the Yoremem or Mayo Indians in his native state of Sinaloa, Mexico. This portrait pays tribute to the foundational value of the community’s ritual, which combines indigenous cosmology with seventeenth-century Jesuit influence, as crucial to its survival and cohesion. |
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ISSN: | 2475-2428 |
Contient: | Enthalten in: MAVCOR journal
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Persistent identifiers: | DOI: 10.22332/mav.obj.2020.2 |