Fernando Brito and Héctor Parra, Judío

In Judío, photographer Fernando Brito attempts to find an ad-hoc visual representation for the Yoremem or Mayo Indians in his native state of Sinaloa, Mexico. This portrait pays tribute to the foundational value of the community’s ritual, which combines indigenous cosmology with seventeenth-century...

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Détails bibliographiques
Auteur principal: Aubert, Didier (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Yale University 2020
Dans: MAVCOR journal
Année: 2020, Volume: 4, Numéro: 1
Sujets non-standardisés:B Photography
B Judíos
B Rituel
B Indigenous
B Documentary Photography
B Mexico
B Catholicism
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Description
Résumé:In Judío, photographer Fernando Brito attempts to find an ad-hoc visual representation for the Yoremem or Mayo Indians in his native state of Sinaloa, Mexico. This portrait pays tribute to the foundational value of the community’s ritual, which combines indigenous cosmology with seventeenth-century Jesuit influence, as crucial to its survival and cohesion.
ISSN:2475-2428
Contient:Enthalten in: MAVCOR journal
Persistent identifiers:DOI: 10.22332/mav.obj.2020.2