Ney'in Tarihi Gelişimi ve Dini Musikimizdeki Yeri

In this article, the progress of the ney, predominant instrument in the religious music, throughout the known human history is shortly investigated. Although the past forms of the ney is not very similar to to day' s modern one, it is discussed that the ney was in use in past. Moreover, finding...

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Bibliographic Details
Subtitles:The Historical Progress of Ney and its Place in our Religious Music
Main Author: Koca, Fatih (Author)
Format: Electronic Article
Language:Turkish
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Published: DergiPark Akademik 2002
In: Dinî araştırmalar
Year: 2002, Volume: 4, Issue: 12, Pages: 181-196
Further subjects:B Hamza Dede
B religious music
B universal soul of music
B reed
B Kutb-i Nayi Osman Dede
Online Access: Volltext (kostenfrei)
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Summary:In this article, the progress of the ney, predominant instrument in the religious music, throughout the known human history is shortly investigated. Although the past forms of the ney is not very similar to to day' s modern one, it is discussed that the ney was in use in past. Moreover, finding answer to the question of how ney has taken place in the religious music is also in the vicinity of the main interests of the article. After ney completed its histoarical progress with Kutb-i Nayi Osman Dede, it has taken place in the religious music with Mevlana and master of neyzen 's Hamza Dede. Apart from the fact that the ney is capable of giving all the sounds in nature, it is also most likely instrument to the human voice. Even though ney is made of reed and looks simple, it affects the human soul dramatically, even in the first hearing. Th.s is, of course, the proof of the fact that its effect to the universal soul
ISSN:2602-2435
Contains:Enthalten in: Dinî araştırmalar