Embodying Worldview: How Dance Creates Common Ground
While many scholars conclude that increased artistic contact between religions facilitates cross-cultural interaction, their analysis stops there. This paper aims to demonstrate the artistic gap in modern interreligious dialogue. To combat the lack of specificity of different art forms’ impact, the...
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Wiley-Blackwell
2021
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| Dans: |
The ecumenical review
Année: 2021, Volume: 73, Numéro: 5, Pages: 745-756 |
| RelBib Classification: | AG Vie religieuse BK Hindouisme CC Christianisme et religions non-chrétiennes; relations interreligieuses CD Christianisme et culture KDG Église libre KDH Sectes d’origine chrétienne |
| Sujets non-standardisés: | B
Church of Jesus Christ of Latter-day Saints
B Human Body B Dance B Hinduism B nondenominational Christianity |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | While many scholars conclude that increased artistic contact between religions facilitates cross-cultural interaction, their analysis stops there. This paper aims to demonstrate the artistic gap in modern interreligious dialogue. To combat the lack of specificity of different art forms’ impact, the paper considers how dance, by communicating values through the physical human body, is an artistic mode of dialogue. Dance in Hinduism, in the Church of Jesus Christ of Latter-day Saints, and in nondenominational Christianity is examined regarding their scriptural and socio-cultural expression. Given dance’s multicultural presence, modern scholars need to increase publications that analyze this art’s impact on interreligious dialogue. |
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| ISSN: | 1758-6623 |
| Contient: | Enthalten in: The ecumenical review
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| Persistent identifiers: | DOI: 10.1111/erev.12657 |