Música, corporalidade e recriação diaspórica no candomblé na Alemanha = Music, corporeality and diasporic recreation in candomblé in Germany

This article analyzes how and why body and dance play a central role in transnationalization of Candomblé between afrodescendants and, increasingly, between Europeans in Germany. Examine how an Afro-Brazilian artist and father of saint in Berlin disseminated religious practices and worldviews throug...

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Autres titres:Music, corporeality and diasporic recreation in candomblé in Germany
Auteurs: Bahia, Joana (Auteur) ; Vieira, Caroline Moreira (Auteur)
Type de support: Électronique Article
Langue:Portugais
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Publié: Asociación de Cientistas Sociales de la Religión del Mercosur 2018
Dans: Ciencias sociales y religión
Année: 2018, Volume: 20, Numéro: 28, Pages: 82-98
Sujets non-standardisés:B Music
B Dance
B Afro-Brazilian religions
B Transnationalization
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Résumé:This article analyzes how and why body and dance play a central role in transnationalization of Candomblé between afrodescendants and, increasingly, between Europeans in Germany. Examine how an Afro-Brazilian artist and father of saint in Berlin disseminated religious practices and worldviews through transnational Afro-Brazilian dance and music, such as music and dance workshops and other events held in the city. This is an example of how an afro-Brazilian religion has become a central element, recreating an idea of "Africa" in Europe, which is part of a long history of movement of black and Candomblé artists between Germany, Brazil and Cuba, resulting in the creation of transnational artistic-religious relations. It shows how the body, through music, dance and art in general, plays an important role in the development of an Afro-cultural heritage.
ISSN:1982-2650
Contient:Enthalten in: Ciencias sociales y religión
Persistent identifiers:DOI: 10.20396/csr.v20i28.12391