‘She Doesn’t Need Mutiyettu’ There’: The Interplay of Divine Mood, Taste and Dramatic Offerings in South Indian Folk Hinduism
The selection of Bhadrakali shrines of central Kerala (South India) in which the ritual drama mutiyettu' is conducted as an offering is restricted by religious considerations surrounding the personality of the goddess: performances can only be safely and efficiently given in shrines housing a d...
| 1. VerfasserIn: | |
|---|---|
| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Equinox
2017
|
| In: |
Religions of South Asia
Jahr: 2017, Band: 11, Heft: 1, Seiten: 72-98 |
| normierte Schlagwort(-folgen): | B
Kerala (Süd)
/ Bhadrakālī
/ Muṭiyēṯṯụ
/ Opfer (Religion)
/ Göttin
/ Wohlwollen
/ Stimmung
/ Hinduismus
/ Volksreligion
|
| RelBib Classification: | AG Religiöses Leben; materielle Religion BK Hinduismus, Jainismus, Sikhismus |
| weitere Schlagwörter: | B
muṭiyēṯṯu’
B Malayalam B Bhadrakāḷi B Dārikan B Ritual drama |
| Online Zugang: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Zusammenfassung: | The selection of Bhadrakali shrines of central Kerala (South India) in which the ritual drama mutiyettu' is conducted as an offering is restricted by religious considerations surrounding the personality of the goddess: performances can only be safely and efficiently given in shrines housing a deity who is in the right mood and has the appropriate nature for being able to be pleased by them and derive benefits from them. Drawing from data primarily gathered in the context of mutiyettu', this article highlights the role played by dramatic offerings in the management of a deity's temper. By discussing issues pertaining to the fields of both performance anthropology and religious studies, it sheds some light on the popular conceptualization of the Hindu goddess, the logic behind the composition of her worship, especially in terms of performing arts, as well as the active power assigned to drama within the popular Hindu context. |
|---|---|
| ISSN: | 1751-2697 |
| Enthält: | Enthalten in: Religions of South Asia
|
| Persistent identifiers: | DOI: 10.1558/rosa.33374 |