The Aura of Buddhist Material Objects in the Age of Mass-Production

The article discusses material religion in a commercial setting and sets off this discussion with Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction (1936). Benjamin argues that mechanical reproduction emancipated works of art from religious rituals and evaporated the aura o...

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Détails bibliographiques
Auteur principal: Brox, Trine (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: [publisher not identified] 2019
Dans: Journal of global buddhism
Année: 2019, Volume: 20, Pages: 105-125
Sujets / Chaînes de mots-clés standardisés:B Benjamin, Walter 1892-1940, Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit / China / Buddhisme / Objet rituel / Production en série / Sainteté
RelBib Classification:AD Sociologie des religions
AG Vie religieuse
BL Bouddhisme
KBM Asie
ZA Sciences sociales
Sujets non-standardisés:B Tibetan Buddhism
B Sacralization
B Buddhist material objects
B Walter Benjamin
B Aura
B mass-production
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Volltext (kostenfrei)
Informations sur les droits:CC BY-NC 4.0
Description
Résumé:The article discusses material religion in a commercial setting and sets off this discussion with Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction (1936). Benjamin argues that mechanical reproduction emancipated works of art from religious rituals and evaporated the aura of art. This has resonance among some Tibetan Buddhists in the context of mass-produced Buddhist material objects. Are such objects fit to be given as gifts, implemented in rituals, and worshipped on altars? Based upon ethnographic work at a Tibetan Buddhist market in urban China, the article argues that although objects manufactured in factories for profit are not made or handled according to Buddhist tradition, the aura can be produced in different ways and at different points of an object’s life.
ISSN:1527-6457
Contient:Enthalten in: Journal of global buddhism
Persistent identifiers:DOI: 10.5281/zenodo.3238213