Strumenti liturgici, segni e simboli nell'iconografia giudaica tardoantica: Da Dura Europos a Roma

This contribution begins with the historical analysis of Dura Europos city, for a long time disputed between Parthians and Romans, and goes on with the analysis of its archaeological remains. In addition to the famous domus ecclesiae, particular attention is dedicated here to the Synagogue, whose ic...

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Détails bibliographiques
Auteur principal: Bisconti, Fabrizio 1955-2022 (Auteur)
Type de support: Électronique Article
Langue:Italien
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Publié: Morcelliana 2021
Dans: Studi e materiali di storia delle religioni
Année: 2021, Volume: 87, Numéro: 1, Pages: 188-205
Sujets / Chaînes de mots-clés standardisés:B Église domestique (Dura-Europos) / Dura-Europos / Synagogue / Fresque / Interreligiosité / Ipogeo di via Dino Compagni (Rome)
RelBib Classification:AX Dialogue interreligieux
BE Religion gréco-romaine
HD Judaïsme ancien
KAB Christianisme primitif
Sujets non-standardisés:B Romani
B Parti
B Parthians
B Bible. Old Testament
B Religious Symbols
B Dura Europos
B Romans
B ipogeo di Via Dino Compagni
B Dura-Europos (Extinct city)
B hypogeum of Via Dino Compagni
Description
Résumé:This contribution begins with the historical analysis of Dura Europos city, for a long time disputed between Parthians and Romans, and goes on with the analysis of its archaeological remains. In addition to the famous domus ecclesiae, particular attention is dedicated here to the Synagogue, whose iconographic program is described, mostly depicting scenes from the Old Testament. There are several similarities between frescoes in Dura Europos synagogue and those in the Roman hypogeum of Via Dino Compagni, where pagan, Jewish and Christian imagery in many cases weave together. (English)
ISSN:2611-8742
Contient:Enthalten in: Studi e materiali di storia delle religioni