Response to Christopher Insole’s Kant and the Divine: From Contemplation to the Moral Law (Oxford: Oxford University Press, 2020)

This is a response given at the book launch for Christopher Insole’s Kant and the Divine: From Contemplation to the Moral Law (Oxford: Oxford University Press, 2020), hosted jointly, in November 2020, by the Centre for Catholic Studies, Durham University, and the Australian Catholic University. The...

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Détails bibliographiques
Auteur principal: Carlisle, Clare 1977- (Auteur)
Collaborateurs: Insole, Christopher J. (Antécédent bibliographique)
Type de support: Électronique Review
Langue:Anglais
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Publié: Sage 2021
Dans: Studies in Christian ethics
Année: 2021, Volume: 34, Numéro: 3, Pages: 290-292
Compte rendu de:Kant and the Divine (Oxford : Oxford University Press, 2020) (Carlisle, Clare)
RelBib Classification:NBC Dieu
TJ Époque moderne
VA Philosophie
Sujets non-standardisés:B Theology
B Compte-rendu de lecture
B Divine
B Religion
B Aesthetics
B Divinity
B Kant
Accès en ligne: Volltext (kostenfrei)
Description
Résumé:This is a response given at the book launch for Christopher Insole’s Kant and the Divine: From Contemplation to the Moral Law (Oxford: Oxford University Press, 2020), hosted jointly, in November 2020, by the Centre for Catholic Studies, Durham University, and the Australian Catholic University. The response focuses on the continuity and rupture that Insole claims to find between Kant’s early and late philosophy, and draws attention to an aesthetic sensibility across Kant’s thought: a Platonic and rationalist aesthetics which focuses on the qualities of harmony, plenitude and perfection that Insole finds to be the ‘base notes’ of Kant’s thought.
ISSN:0953-9468
Référence:Kritik in "Author’s Reflections on the Responses and Questions from the Book Launch (2021)"
Contient:Enthalten in: Studies in Christian ethics
Persistent identifiers:DOI: 10.1177/09539468211009761