Picture and Story: On the Use of Visual Imagery in the Writing of Rabbi Nahman of Bratslav
Abstract Rabbi Nahman’s philosophical and literary work has generated great interest among artists in various fields over the course of the last few decades, an interest of such degree and power that it has no equal in the traditional Jewish world. In this article, I will discuss one element of Rabb...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2020
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| In: |
Images
Year: 2020, Volume: 13, Issue: 1, Pages: 7-17 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Abstract Rabbi Nahman’s philosophical and literary work has generated great interest among artists in various fields over the course of the last few decades, an interest of such degree and power that it has no equal in the traditional Jewish world. In this article, I will discuss one element of Rabbi Nahman’s spiritual world that may explain to some degree the attraction of his work to painters and other artists who deal with visual arts, which is the important role of visions in his spiritual world and in his writings. I will also demonstrate how Rabbi Nahman uses the tools of visual imagery not only in his literary work but also in his philosophical work, as compiled in his two-volume book of sermons, Likutei Moharan (Collected Teachings of the Master), published in 1806 and 1811. I will then discuss the connection between the narrative and visual layers of Rabbi Nahman’s work and worldview . |
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| ISSN: | 1871-8000 |
| Contains: | Enthalten in: Images
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| Persistent identifiers: | DOI: 10.1163/18718000-12340126 |