Brahms in the priesthood of art: gender and art religion in the nineteenth-century German musical imagination

Imperatives of Purity and Sensuality -- A Post-Romantic Priest of Music -- Priestesses of Art -- The Temptation of Opera -- Ambiguities of the Priesthood -- Prostitutes, Trauma, and Biographical Hermeneutics of the Fin-de-Siècle -- Epilogue. Musical Priesthood, Canon Formation, and the Regulation of...

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Bibliographic Details
Main Author: McManus, Laurie (Author)
Format: Electronic Book
Language:English
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Fernleihe:Fernleihe für die Fachinformationsdienste
Published: New York Oxford University Press 2021
In:Year: 2021
Standardized Subjects / Keyword chains:B Brahms, Johannes 1833-1897 / Reception / History 1800-1910
Further subjects:B Music 18th century History and criticism
B Brahms, Johannes (1833-1897) Criticism and interpretation
B Brahms, Johannes (1833-1897) Appreciation History
B Music Religious aspects History
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Parallel Edition:Non-electronic
Description
Summary:Imperatives of Purity and Sensuality -- A Post-Romantic Priest of Music -- Priestesses of Art -- The Temptation of Opera -- Ambiguities of the Priesthood -- Prostitutes, Trauma, and Biographical Hermeneutics of the Fin-de-Siècle -- Epilogue. Musical Priesthood, Canon Formation, and the Regulation of Performance.
"Brahms in the Priesthood of Art: Gender and Art Religion in the Nineteenth-Century German Musical Imagination explores the intersection of gender, art religion (Kunstreligion) and other aesthetic currents in Brahms reception of the nineteenth and early twentieth centuries. In particular, it focuses on the theme of the self-sacrificing musician devoted to his art, or "priest of music," with its quasi-mystical and German Romantic implications of purity seemingly at odds with the lived reality of Brahms's bourgeois existence"--
Item Description:Includes bibliographical references and index
ISBN:019008328X