Missa Luba, An American Mass Program, and the Transnationalism of Twentieth-Century Black Roman Catholic Liturgical Music

This article explores the movement of Black Catholic liturgical music across the Black Atlantic, examining the creation in the 1950s of the Missa Luba in Belgian-occupied Congo, its subsequent popularity among Black U.S. Catholics, and the ways in which it inspired Roman Catholic priest Clarence Riv...

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Détails bibliographiques
Auteur principal: Harris, Kim R. (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: The Pennsylvania State University Press [2021]
Dans: Journal of Africana religions
Année: 2021, Volume: 9, Numéro: 1, Pages: 1-20
Sujets / Chaînes de mots-clés standardisés:B USA / Église catholique / Noirs / Missa Luba / Musique sacrée / Histoire 1920-2021
RelBib Classification:CB Spiritualité chrétienne
KAJ Époque contemporaine
KBN Afrique subsaharienne
KBQ Amérique du Nord
KDB Église catholique romaine
RD Hymnologie
Sujets non-standardisés:B Indigenous tradition
B liturgical music
B Catholicism
B Black
B African American
Accès en ligne: Volltext (Verlag)
Description
Résumé:This article explores the movement of Black Catholic liturgical music across the Black Atlantic, examining the creation in the 1950s of the Missa Luba in Belgian-occupied Congo, its subsequent popularity among Black U.S. Catholics, and the ways in which it inspired Roman Catholic priest Clarence Rivers to compose his own Black American Mass. Rather than seeing the proliferation of "indigenized" African and African American Catholic liturgical music as a response mainly to changes at the Second Vatican Council in the 1960s, I argue that African and African American people's compositions of liturgical music and their popular reception among Black and white Catholic audiences established a tradition of ethnic resurgence before Vatican II.
ISSN:2165-5413
Contient:Enthalten in: Journal of Africana religions