Realtà Estesa, Virtuale, Aumentata E Mixata Nella Condizione Postmediale
In the first part of the article, I propose a typology of contemporary visual and audiovisual media, based on their degree of immersiveness. This typology is articulated by three parameters: the perceived position of the viewers with respect to the images; the degree and ways of perceptual manipulat...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Italien |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Morcelliana
[2020]
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| Dans: |
Hermeneutica
Année: 2020, Volume: 27, Pages: 131-143 |
| RelBib Classification: | RH Évangélisation ZD Psychologie |
| Sujets non-standardisés: | B
Post-media Condition
B Media Semiotics B Extended Reality B Regimes of Presence |
| Résumé: | In the first part of the article, I propose a typology of contemporary visual and audiovisual media, based on their degree of immersiveness. This typology is articulated by three parameters: the perceived position of the viewers with respect to the images; the degree and ways of perceptual manipulation of the images by the viewers; the degree and ways of manipulation of narrative events by the viewers. In this way, four types of media are highlighted: bystanding, bystanding-immersive, moderate immersive, radical immersive. In the second part of the paper, I analyze the four types of media from a semiotic perspective and in the light of the category of “presence”. I argue that each of them sets a specific regime of presence between the viewers and the surrounding worlds; and that it does so by assigning to the viewers a specific enunciational position: in particular the viewers, from simple recipients of the images, become more and more radically co-responsible of them, through their own gestures and looks. |
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| Contient: | Enthalten in: Hermeneutica
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