Performing the gospels in Byzantium: sight, sound, and space in the divine liturgy

"Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual rec...

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Détails bibliographiques
Auteur principal: Betancourt, Roland ca. 20./21. Jh. (Auteur)
Type de support: Numérique/imprimé Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
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Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Cambridge, United Kingdom New York, NY, USA Port Melbourne, VIC, Australia New Delhi, India Singapore Cambridge University Press 2021
Dans:Année: 2021
Recensions:[Rezension von: Betancourt, Roland, ca. 20./21. Jh., Performing the gospels in Byzantium : sight, sound, and space in the divine liturgy] (2022) (Lampadaridi, Anna, 1984 -)
[Rezension von: Betancourt, Roland, ca. 20./21. Jh., Performing the gospels in Byzantium : sight, sound, and space in the divine liturgy] (2022) (Mallèvre, Michel)
Sujets / Chaînes de mots-clés standardisés:B Byzantinisches Reich / Lectionnaire / Enluminure / Iconographie / Déclamation / Liturgie / Église / Histoire 1075-1100
B Hagia Sophia (Istanbul) / Liturgie / Architecture
Sujets non-standardisés:B Senses and sensation Religious aspects Orthodox Eastern Church
B Lectionaries
B Illumination of books and manuscripts, Byzantine
B Liturgy and art
Accès en ligne: Volltext (doi)
Édition parallèle:Électronique
Description
Résumé:"Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church"--
Description:Literaturverzeichnis Seite 287-318
ISBN:1108491391
Persistent identifiers:DOI: 10.1017/9781108868532