Performing the gospels in Byzantium: sight, sound, and space in the divine liturgy

"Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual rec...

Full description

Saved in:  
Bibliographic Details
Main Author: Betancourt, Roland ca. 20./21. Jh. (Author)
Format: Electronic/Print Book
Language:English
Subito Delivery Service: Order now.
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Cambridge, United Kingdom New York, NY, USA Port Melbourne, VIC, Australia New Delhi, India Singapore Cambridge University Press 2021
In:Year: 2021
Reviews:[Rezension von: Betancourt, Roland, ca. 20./21. Jh., Performing the gospels in Byzantium : sight, sound, and space in the divine liturgy] (2022) (Lampadaridi, Anna, 1984 -)
[Rezension von: Betancourt, Roland, ca. 20./21. Jh., Performing the gospels in Byzantium : sight, sound, and space in the divine liturgy] (2022) (Mallèvre, Michel)
Standardized Subjects / Keyword chains:B Byzantine Empire / Lectionary / Book illumination / Iconography / Declamation / Liturgy / Church building / History 1075-1100
B Hagia Sophia (Istanbul) / Liturgy / Architecture
Further subjects:B Senses and sensation Religious aspects Orthodox Eastern Church
B Lectionaries
B Illumination of books and manuscripts, Byzantine
B Liturgy and art
Online Access: Volltext (doi)
Parallel Edition:Electronic
Description
Summary:"Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church"--
Item Description:Literaturverzeichnis Seite 287-318
ISBN:1108491391
Persistent identifiers:DOI: 10.1017/9781108868532