Handhala and the Messiah: christological representation in the cartoons of Naji Al-Ali
The cartoons Naji Al-Ali reveal the complexities of Palestinian identity in the period between the resignation following Palestinian defeats in 1948 and 1967 and the first Intifada in 1987. The present paper to add to the limited literature on Al-Ali's cartoons through examining a unique subset...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Taylor and Francis Group
[2019]
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Dans: |
Culture and religion
Année: 2019, Volume: 20, Numéro: 3, Pages: 231-247 |
Sujets / Chaînes de mots-clés standardisés: | B
Palestine
/ ʿAlī, Nāǧī al- 1936-1987
/ Caricature
/ Handala, Personnage fictif
/ Représentation du Christ
/ Histoire 1967-1987
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RelBib Classification: | AG Vie religieuse KBL Proche-Orient et Afrique du Nord |
Sujets non-standardisés: | B
editorial cartoons
B Handhala B Naji Al-Ali B Intifada B Palestine |
Accès en ligne: |
Volltext (Resolving-System) |
Résumé: | The cartoons Naji Al-Ali reveal the complexities of Palestinian identity in the period between the resignation following Palestinian defeats in 1948 and 1967 and the first Intifada in 1987. The present paper to add to the limited literature on Al-Ali's cartoons through examining a unique subset of them that join Christ with the artist's child-caricature Handhala. The image of Christ allowed Al-Ali to universalise his message, mapping the Palestinian experience onto a recognisable figure while strengthening an inchoate moral critique against Israeli occupation. Examining these illustrations provides us with a better understanding of this transitory period in Palestinian history. |
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ISSN: | 1475-5629 |
Contient: | Enthalten in: Culture and religion
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Persistent identifiers: | DOI: 10.1080/14755610.2019.1684331 |