Wrestling with Flesh, Wrestling with Spirit: The Painful Consequences of Dualism in The Last Temptation of Christ
Martin Scorsese's film adaptation of Nikos Kazantzakis' The Last Temptation of Christ presents an unorthodox, nonhierarchical dualism. This dualism has often been negatively interpreted by critics, leading them to condemn the film for misogyny, among other sins. Following Scorsese's i...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Published: |
University of Saskatchewan
[2004]
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| In: |
Journal of religion and popular culture
Year: 2004, Volume: 8, Issue: 1 |
| Online Access: |
Volltext (Resolving-System) Volltext (doi) |
| Summary: | Martin Scorsese's film adaptation of Nikos Kazantzakis' The Last Temptation of Christ presents an unorthodox, nonhierarchical dualism. This dualism has often been negatively interpreted by critics, leading them to condemn the film for misogyny, among other sins. Following Scorsese's intentions for the film, this essay offers an alternative interpretation of Last Temptation's conflict as one between competing virtues. In addition, it also positively evaluates the creators' attempt to lift the story of Jesus out of traditional Christianity in order to offer it to a wider audience. |
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| ISSN: | 1703-289X |
| Contains: | Enthalten in: Journal of religion and popular culture
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| Persistent identifiers: | DOI: 10.3138/jrpc.8.1.003 |