Subversive song: Imagining Colossians 1:15-20 as a social protest hymn in the context of Roman empire
A connection exists between the Christological hymn of praise and protest in Col 1:15-20 and popular protest music. The connection is the lyrical ability to transform political and socio-cultural realities, as well as to empower and mobilize protest and resistance against imperial power and coercive...
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Sage
[2019]
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| In: |
Review and expositor
Jahr: 2019, Band: 116, Heft: 4, Seiten: 421-435 |
| RelBib Classification: | CD Christentum und Kultur CG Christentum und Politik HC Neues Testament NBF Christologie TK Neueste Zeit |
| weitere Schlagwörter: | B
Billie Holiday
B Resistance B Bibel. Kolosserbrief 1,15-20 B Empire B Songs B Christ B Hymns |
| Online Zugang: |
Volltext (Resolving-System) Volltext (doi) |
| Zusammenfassung: | A connection exists between the Christological hymn of praise and protest in Col 1:15-20 and popular protest music. The connection is the lyrical ability to transform political and socio-cultural realities, as well as to empower and mobilize protest and resistance against imperial power and coercive structures of domination. A special focus is on Billie Holiday's song, "Strange Fruit," a contemporary model of a protest song in comparison to Col 1:15-20. In the comparison, the Colossians hymn draws upon the political ideology and imagery of the Roman Empire in the form of a counter-discourse, as was Jewish resistance poetry, in ways analogous to how Holiday's "Strange Fruit" evokes the imagery of white racial terror for the sake of raising political consciousness. |
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| ISSN: | 2052-9449 |
| Enthält: | Enthalten in: Review and expositor
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| Persistent identifiers: | DOI: 10.1177/0034637319878790 |