Demons and Diversity in León

This article examines a wall painting of the temptation of Saint Martin in the so-called Panteón de los Reyes of San Isidoro in León, focusing on its unorthodox portrayal of Satan as an Ethiopianized, dark-skinned figure wearing a robe reflective of Fatimid textile traditions. Tracing the scene'...

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Bibliographic Details
Main Author: Patton, Pamela A. 1964- (Author)
Format: Electronic Article
Language:English
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Published: Brill [2019]
In: Medieval encounters
Year: 2019, Volume: 25, Issue: 1/2, Pages: 150-179
Standardized Subjects / Keyword chains:B San Isidoro (León) / Martin, Tours, Bischof, Heiliger 316-397 / Temptation / Devil / Interculturality
RelBib Classification:CC Christianity and Non-Christian religion; Inter-religious relations
CG Christianity and Politics
KAE Church history 900-1300; high Middle Ages
KBH Iberian Peninsula
Further subjects:B León
B Blackness
B Saint Martin
B skin color
B San Isidoro
B Satan
B ṭirāz
B Panteón de los Reyes
Online Access: Presumably Free Access
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Summary:This article examines a wall painting of the temptation of Saint Martin in the so-called Panteón de los Reyes of San Isidoro in León, focusing on its unorthodox portrayal of Satan as an Ethiopianized, dark-skinned figure wearing a robe reflective of Fatimid textile traditions. Tracing the scene's divergent sources within the complex network of images, texts, and ideas then circulating in León, it argues that the unusually configured image constituted an innovative, intervisual response to the concerns of a palatine viewership that in the first decades of the twelfth century remained preoccupied with its own dynastic and political position, both within the Leonese kingdom and with reference to its wider European sphere.
ISSN:1570-0674
Contains:Enthalten in: Medieval encounters
Persistent identifiers:DOI: 10.1163/15700674-12340042