Miguel Venegas and the earliest Jesuit theater: choruses for tragedies in sixteenth-century Europe
Miguel Venegas of Ávila -- Miguel Venegas : the master and the Jesuit -- The Alcalá legacy : from grammar to the Bible, from rhetoric to theater -- Miguel Venegas and the dramatic tradition in Spain -- School theater in Coimbra during the time of Miguel Venegas : the Colégio das Artes -- The literar...
| Auteur principal: | |
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| Type de support: | Imprimé Livre |
| Langue: | Anglais |
| Service de livraison Subito: | Commander maintenant. |
| Vérifier la disponibilité: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Leiden Boston
Brill
[2019]
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| Dans: |
Jesuit studies (volume 23)
Année: 2019 |
| Collection/Revue: | Jesuit studies
volume 23 |
| Sujets / Chaînes de mots-clés standardisés: | B
Venegas, Miguel ca. 1529/1531- nach 1589
/ Portugal
/ Jésuites
/ Théâtre
/ Histoire
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| Sujets non-standardisés: | B
Venegas, Miguel (1531-)
Criticism and interpretation
B Latin drama (Tragedy) History and criticism B Jesuit theater (Portugal) History 16th century |
| Accès en ligne: |
Table des matières Quatrième de couverture Literaturverzeichnis |
| Résumé: | Miguel Venegas of Ávila -- Miguel Venegas : the master and the Jesuit -- The Alcalá legacy : from grammar to the Bible, from rhetoric to theater -- Miguel Venegas and the dramatic tradition in Spain -- School theater in Coimbra during the time of Miguel Venegas : the Colégio das Artes -- The literary works Miguel Venegas produced in Portugal (1559-62) -- Drama sacrum et Latinum : the Tragoedia sacra ex 3° Lb. Regum Cap. 18-20-21 and the beginning of a cycle of tragic plays -- Optime more tragico canebantur : Francisco de Santa María and the dramatic choruses of Miguel Venegas, 1559-62. "In Miguel Venegas and the Earliest Jesuit Theater, Margarida Miranda takes a fresh look at the origins of Jesuit theater and provides a detailed account of the life and work of Miguel Venegas (1529-after 1588) within the Iberian tradition. The book details Venegas's role as the founder of Jesuit theater in Portugal and the creator of a new musical genre, choruses for tragedies, which was gradually codified and emulated by successive generations of Jesuits. Venegas's Latin tragedies in turn provided the model for regular dramatic activities in the global network of Jesuit schools, including, significantly, the first tragedies to be staged in Rome: Saul Gelboeus and Achabus, both of which had originally been performed in Coimbra in the mid-sixteenth century"-- |
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| Description: | Includes bibliographical references and index |
| ISBN: | 9004340424 |