Is Caravaggio a queer theologian? Paul's conversion on the way to Damascus

Queer theology has not paid enough attention to queer sex, how queers understand sexual intimate relationships outside hetero/homonormative frameworks, and more importantly, what notions of relationality with Otherness undergird those experiences and practices. This contribution exemplifies a trajec...

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Bibliographische Detailangaben
1. VerfasserIn: Menéndez Antuña, Luis (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Veröffentlicht: Sage [2018]
In: Critical research on religion
Jahr: 2018, Band: 6, Heft: 2, Seiten: 132-150
normierte Schlagwort(-folgen):B Damaskuserlebnis / LGBT / Interpretation / Caravaggio, Michelangelo Merisi da 1571-1610, Bekehrung Pauli
RelBib Classification:CB Christliche Existenz; Spiritualität
CE Christliche Kunst
HC Neues Testament
weitere Schlagwörter:B Queer Theology
B Hospitality
B Caravaggio
B Queer Theory
B Acts
Online Zugang: Volltext (Resolving-System)
Beschreibung
Zusammenfassung:Queer theology has not paid enough attention to queer sex, how queers understand sexual intimate relationships outside hetero/homonormative frameworks, and more importantly, what notions of relationality with Otherness undergird those experiences and practices. This contribution exemplifies a trajectory of visualization-a theoretically based approach to reading art-where the practices of barebacking and cruising in queer subcultures trigger a reading of Caravaggio's Conversion on the Way the Damascus that, in turn, reads the biblical text (Acts 9) in terms of radical hospitality to Otherness. Barebacking and cruising as sexual practices documented in queer subcultures offer a framework to understand Caravaggio's artwork as a theological source and as an interpretation of the biblical text.
ISSN:2050-3040
Enthält:Enthalten in: Critical research on religion
Persistent identifiers:DOI: 10.1177/2050303218774865