Language in the Middle Way: T. S. Eliot's Engagement with Madhyamaka Buddhism in Four Quartets

In this paper, I trace the influence that Buddhist texts had on the poetic design and philosophical orientation of T. S. Eliot's Four Quartets. References to the “middle way” in the poems point us to texts from the very earliest moments of the Buddhist tradition, texts to which Eliot had access...

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Bibliographic Details
Main Author: Upton, Edward 1973- (Author)
Format: Electronic Article
Language:English
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Published: Oxford University Press [2018]
In: Journal of the American Academy of Religion
Year: 2018, Volume: 86, Issue: 3, Pages: 821-850
Standardized Subjects / Keyword chains:B Eliot, T. S. 1888-1965, Four quartets / Nāgārjuna, Mādhyamakakārikā
RelBib Classification:BL Buddhism
CC Christianity and Non-Christian religion; Inter-religious relations
CD Christianity and Culture
Online Access: Volltext (Verlag)
Volltext (doi)
Description
Summary:In this paper, I trace the influence that Buddhist texts had on the poetic design and philosophical orientation of T. S. Eliot's Four Quartets. References to the “middle way” in the poems point us to texts from the very earliest moments of the Buddhist tradition, texts to which Eliot had access. More specifically, I develop the suggestion offered by Jeffrey Perl and Andrew Tuck that the work of Nagarjuna, the second-century founder of the Madhyamaka school of Buddhism (the so-called “Middle Way” school), could have played an important role in T. S. Eliot's philosophical and poetic development. I employ Perl and Tuck's assertion as a hermeneutical lens through which to analyze Eliot's work. I suggest that Eliot's allusions to the “middle way” in Four Quartets can usefully be understood through Nagarjuna's causal analysis and linguistic theories, themselves codifications in part of the earlier Buddhist priorities.
ISSN:1477-4585
Contains:Enthalten in: American Academy of Religion, Journal of the American Academy of Religion
Persistent identifiers:DOI: 10.1093/jaarel/lfx056