Playing God: Participant Frameworks in the Ras Lilas of Krishna
As one of the most popular deities in contemporary Hindu worship, representations of Krishna are ubiquitous throughout South Asia. However, characterizations of Krishna also commonly appear in popular media, including television shows, movies, and comic books. But the division between traditional re...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
University of Saskatchewan
[2016]
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In: |
Journal of religion and popular culture
Year: 2016, Volume: 28, Issue: 2/3, Pages: 135-144 |
Standardized Subjects / Keyword chains: | B
Krishna
/ Rāsalīlā (Theater)
/ Reenactment
/ Religious identity
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RelBib Classification: | AG Religious life; material religion BK Hinduism, Jainism, Sikhism |
Further subjects: | B
Theater
B Krishna B participant frameworks B Drama B Ritual B Vaishnavism B Hinduism B ras lila B India |
Online Access: |
Volltext (Verlag) Volltext (doi) |
Summary: | As one of the most popular deities in contemporary Hindu worship, representations of Krishna are ubiquitous throughout South Asia. However, characterizations of Krishna also commonly appear in popular media, including television shows, movies, and comic books. But the division between traditional religious representations of Krishna and his more modern media images is not as stark as it might first appear. Using an analysis of linguistic frameworks in popular dramatic stage performances centred on the re-enactment of Krishna stories, this article demonstrates the continuum of religious practice that links the actor playing Krishna with ritual practices that presume the manifestation of the deity himself. In this way, the lines between tradition and modernity become blurred as particular methods of entertainment become themselves a vehicle for the realization of the divine. |
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ISSN: | 1703-289X |
Contains: | Enthalten in: Journal of religion and popular culture
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Persistent identifiers: | DOI: 10.3138/jrpc.28.2-3.3611 |