Sinners, Saints, and Angels on Fire: The Curiously Religious Soundtrack of The Hunger Games's Secular Dystopia

Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material. Possible influences discussed include religious par...

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Détails bibliographiques
Auteur principal: Swanson, Kj (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: University of Saskatchewan [2016]
Dans: Journal of religion and popular culture
Année: 2016, Volume: 28, Numéro: 1, Pages: 23-42
Sujets / Chaînes de mots-clés standardisés:B The hunger games (Film) / The Hunger Games: Catching fire / Musique de film / Anti-utopie / Religiosité / Le profane
RelBib Classification:AD Sociologie des religions
AG Vie religieuse
CB Spiritualité chrétienne
CD Christianisme et culture
Sujets non-standardisés:B Postmodernism
B The Hunger Games
B soundtrack
B Popular Music
B Apocalypse
B Appalachia
B Religion
B Dystopia
B Secularism
B Adaptation
Accès en ligne: Volltext (Verlag)
Volltext (doi)
Description
Résumé:Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material. Possible influences discussed include religious paradigms associated with the Appalachian-inspired music of the first album, the apocalyptic impulse of contemporary dystopia, and the evolving role of religious imagery within postmodern pluralism. Ultimately, it is argued that despite the areligious content of The Hunger Games, the series' literary genre and cultural context facilitate the blending of the sacred and secular in ways unexpected but not incongruous.
ISSN:1703-289X
Contient:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.28.1.3235