Sinners, Saints, and Angels on Fire: The Curiously Religious Soundtrack of The Hunger Games's Secular Dystopia

Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material. Possible influences discussed include religious par...

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1. VerfasserIn: Swanson, Kj (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: University of Saskatchewan [2016]
In: Journal of religion and popular culture
Jahr: 2016, Band: 28, Heft: 1, Seiten: 23-42
normierte Schlagwort(-folgen):B The hunger games (Film) / The Hunger Games: Catching fire / Filmmusik / Anti-Utopie / Religiosität / Das Profane
RelBib Classification:AD Religionssoziologie; Religionspolitik
AG Religiöses Leben; materielle Religion
CB Christliche Existenz; Spiritualität
CD Christentum und Kultur
weitere Schlagwörter:B Postmodernism
B The Hunger Games
B soundtrack
B Popular Music
B Apocalypse
B Appalachia
B Religion
B Dystopia
B Secularism
B Adaptation
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Beschreibung
Zusammenfassung:Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material. Possible influences discussed include religious paradigms associated with the Appalachian-inspired music of the first album, the apocalyptic impulse of contemporary dystopia, and the evolving role of religious imagery within postmodern pluralism. Ultimately, it is argued that despite the areligious content of The Hunger Games, the series' literary genre and cultural context facilitate the blending of the sacred and secular in ways unexpected but not incongruous.
ISSN:1703-289X
Enthält:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.28.1.3235