The Caucasianization of Jesus: Hollywood Transforming Christianity into a Racially Hierarchical Discourse

This essay explores the racial representation of Jesus Christ by Hollywood and the resulting ideological implications. Because historical documentation lacks depictions of Christ's phenotype, filmmakers can freely conceptualize his physical appearance. Hollywood blockbusters, however, have pred...

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Bibliographic Details
Main Author: Jones, Catherine (Author)
Contributors: Tajima, Atsushi (Other)
Format: Electronic Article
Language:English
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Published: University of Saskatchewan [2015]
In: Journal of religion and popular culture
Year: 2015, Volume: 27, Issue: 3, Pages: 202-219
Further subjects:B Middle East
B racial representation
B Hollywood
B Globalization
B Jesus Christ
Online Access: Volltext (Verlag)
Volltext (doi)
Description
Summary:This essay explores the racial representation of Jesus Christ by Hollywood and the resulting ideological implications. Because historical documentation lacks depictions of Christ's phenotype, filmmakers can freely conceptualize his physical appearance. Hollywood blockbusters, however, have predominantly depicted Jesus as a white man, his most popular American conception. Hollywood consequently contributes to an active transformation process—the Caucasianization of Christ—which perpetuates the dominant hierarchical racial ideology. Redefining Jesus as “white” suggests that Caucasians are superior, a message Hollywood then distributes worldwide. Furthermore, Hollywood's reinforcement of racial hierarchy through Christian imagery undermines Christianity's communicative capacity. As Hollywood's global influence continuously expands, filmmakers must consider the implications of this practice, as well as alternative depictions of Christ.
ISSN:1703-289X
Contains:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.27.3.3071