Can a Coke Can Be Sacred?: Tantric Television and Upposedly Mundane Objects in Khyentse Norbu’s the Cup

Khyentse Norbu's 1999 film The Cup came in the wake of several major Hollywood films that presented Tibetan Buddhism as a foil to Western secular modernity. Norbu's film is organized around an apparent opposition between sacred and profane space and activities. While it is possible to see...

Full description

Saved in:  
Bibliographic Details
Main Author: Whalen-Bridge, John 1961- (Author)
Format: Electronic Review
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Taylor & Francis [2015]
In: Material religion
Year: 2015, Volume: 11, Issue: 4, Pages: 527-547
Review of:The Cup (1999) (Whalen-Bridge, John)
Further subjects:B Monastery
B Book review
B Tantra
B Television
B Profane
B football
B Sacred
B Emptiness
B Cinema
Online Access: Volltext (Verlag)

MARC

LEADER 00000caa a22000002 4500
001 1570207313
003 DE-627
005 20180228085143.0
007 cr uuu---uuuuu
008 180227s2015 xx |||||oo 00| ||eng c
024 7 |a 10.1080/17432200.2015.1103481  |2 doi 
035 |a (DE-627)1570207313 
035 |a (DE-576)500207313 
035 |a (DE-599)BSZ500207313 
040 |a DE-627  |b ger  |c DE-627  |e rda 
041 |a eng 
084 |a 0  |2 ssgn 
100 1 |e VerfasserIn  |0 (DE-588)142244406  |0 (DE-627)634793071  |0 (DE-576)179571850  |4 aut  |a Whalen-Bridge, John  |d 1961- 
109 |a Whalen-Bridge, John 1961-  |a Bridge, John Whalen- 1961- 
245 1 0 |a Can a Coke Can Be Sacred?  |b Tantric Television and Upposedly Mundane Objects in Khyentse Norbu’s the Cup  |c John Whalen-Bridge, National University of Singapore 
264 1 |c [2015] 
300 |b Illustrationen 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
500 |a Rezension des Kinofilms "The Cup " aus dem Jahr 1999 
520 |a Khyentse Norbu's 1999 film The Cup came in the wake of several major Hollywood films that presented Tibetan Buddhism as a foil to Western secular modernity. Norbu's film is organized around an apparent opposition between sacred and profane space and activities. While it is possible to see this opposition as relatively stable, a set of objects in the film shows the apparently stable hierarchy to be illusory. By considering the presentation of these objects in relation to Vajrayana teachings given by The Cup's director and other prominent Tibetan teachers, we can see that the film has a muted or "esoteric" subtext in which apparently worldly possessions participate in ritual-like exchanges that result in shared experiences of relative liberation. 
650 4 |a Cinema 
650 4 |a Emptiness 
650 4 |a football 
650 4 |a Monastery 
650 4 |a Profane 
650 4 |a Sacred 
650 4 |a Tantra 
650 4 |a Television 
655 7 |a Rezension  |0 (DE-588)4049712-4  |0 (DE-627)106186019  |0 (DE-576)209083166  |2 gnd-content 
773 0 8 |i Enthalten in  |t Material religion  |d Abingdon : Taylor & Francis, 2005  |g 11(2015), 4, Seite 527-547  |h Online-Ressource  |w (DE-627)490718434  |w (DE-600)2192970-1  |w (DE-576)273875507  |x 1751-8342  |7 nnns 
773 1 8 |g volume:11  |g year:2015  |g number:4  |g pages:527-547 
787 0 8 |i Rezension von  |t The Cup  |d 1999 
856 4 0 |u https://doi.org/10.1080/17432200.2015.1103481  |x Verlag  |3 Volltext 
936 u w |d 11  |j 2015  |e 4  |h 527-547 
951 |a AR 
ELC |a 1 
ITA |a 1  |t 1 
LOK |0 000 xxxxxcx a22 zn 4500 
LOK |0 001 3001028971 
LOK |0 003 DE-627 
LOK |0 004 1570207313 
LOK |0 005 20180227085822 
LOK |0 008 180227||||||||||||||||ger||||||| 
LOK |0 040   |a DE-Tue135  |c DE-627  |d DE-Tue135 
LOK |0 092   |o n 
LOK |0 852   |a DE-Tue135 
LOK |0 852 1  |9 00 
LOK |0 935   |a ixrz  |a ixzo 
ORI |a SA-MARC-ixtheoa001.raw 
REL |a 1 
SUB |a REL