Can a Coke Can Be Sacred?: Tantric Television and Upposedly Mundane Objects in Khyentse Norbu’s the Cup
Khyentse Norbu's 1999 film The Cup came in the wake of several major Hollywood films that presented Tibetan Buddhism as a foil to Western secular modernity. Norbu's film is organized around an apparent opposition between sacred and profane space and activities. While it is possible to see...
Main Author: | |
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Format: | Electronic Review |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Taylor & Francis
[2015]
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In: |
Material religion
Year: 2015, Volume: 11, Issue: 4, Pages: 527-547 |
Review of: | The Cup (1999) (Whalen-Bridge, John) |
Further subjects: | B
Monastery
B Book review B Tantra B Television B Profane B football B Sacred B Emptiness B Cinema |
Online Access: |
Volltext (Verlag) |
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